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Georgian Bay Artists

Making Of

Georgian Bay, one brushstroke at a time.

Each of these is a painting building itself up from a blank canvas to the finished work. They run under a minute each, and nothing downloads until you press play.

Every piece starts from a photograph James Portman took of a real place around Georgian Bay.

The style owes a debt to the Post-Impressionists, with directional strokes that follow the curl of a cloud or the run of a wave, and colour pushed a little past what the camera saw, in the saturated autumn palette this stretch of Ontario is known for.

The painting itself is made in Rebelle, digital painting software that reproduces how real paint behaves: oil that thickens and holds the mark of the bristles, wet colour that blends where strokes meet, and layers that dry and build on one another. The strokes usually go down the way an oil painter works, with a thin dark ground, the dark masses laid in first and the brightest accents last. A time-lapse recording captures the whole process, and after a final finishing pass, the last frame of each film is the finished print.

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